“Phoenix Security Doncaster” burglar alarm, Kensington and Chelsea • A very old Phoenix, which – if it accords with legend – is the only one of its kind, and will soon set itself on fire. In the Greco-Assyrian myth which gives this device its name, the crimson-plumed firebird is the sole representative of its species, and lives for 500 years. When it feels itself getting old, it climbs onto a fragrant DIY pyre of frankinsence and myrrh, faces the sun and bursts exuberantly into flame, soaring reborn from the ashes. In some versions it’s a small grub that emerges from the ashes, which after three days turns into a new phoenix; which, in further variants, carries the embalmed ashes of its parent to an altar in the Egyptian sun-worshipping city of Heliopolis. Although the estimable Greek historian Herodotus was bluntly sceptical about much of this fanciful tale, its clear parallels with Biblical accounts of the resurrection of Jesus made it a hit with early Catholic artists, hence its inclusion in European iconography, and eventually on burglar alarms. Generally considered benevolent despite their fierce looks, phoenixes are today a metaphor for anything that renews, such as a “phoenix firm” which declares bankruptcy, dumps its debt obligations, and restarts anew – hopefully not the fate of Phoenix Security. • Spotted: Cadogan Street, Kensington and Chelsea, London, SW3, England, 2010 • Politics: In the Conservative constituency of Chelsea and Fulham
Above: Some even older phoenixes. Top row: during and after resurrection, from the beautiful 12th century Aberdeen Bestiary. Bottom left: Coptic Egyptian stone phoenix from the Allard Pierson Museum, Amsterdam. Bottom right: a magnificent printed phoenix from Friedrich Justin Bertuch’s stunningly-illustrated educational partwork “Bilderbuch für Kinder” (1790-1830).